project | 2000

small “houses/showrooms” alongside each other, each with its own entrance. Big black numbers create a contrasting graphic effect background’s total-white wall

project | 2001

a black aisle with a long table at the centre. the neon light enhances the metallic colors of the stools. spaces reserved to the display of collections

project | 2002

impressive curtains – five meters in height – create plays of colors of white and black. the entrance to the stands is framed by wooden portals

project | 2003

the fixed route is born. a long aisle that hides new showrooms behind every corner. circles of light permeate the path

project | 2004

concrete-like walls, leather sofas, graphic inscriptions on burnished iron plates, suffused light that accompanies the visitor through a typically “underground” aisle

project | 2005

the layout is conceived like a big patchwork of stands with articulated shapes that enable exploiting the available spaces at best. no more unvaried stands, but spaces that are unlike each others

project | 2006

the idea of recycling is born. the fitting-outs realized for other exhibitions are adapted to other shows thus limiting the waste of raw materials

project | 2007

the first zero-impact show. pulp furniture is transformed into design pieces, old panels become tables, lids of cardboard boxes turn into stand inscriptions

project | 2008

open space setting-out, spaces defined by light with no visual barriers. the stands become intimate living-rooms to welcome visitors

project | 2009

atmosfere lights enhance the original and scenic industrial-inspired location

project | 2010

total white, clean appearance and essentiality of the lines. the show’s cornerstone, translated in setup language

project | 2011

wow – white on web is born. a neat and linear setup that highlights the brand’s creations

project | 2012

protagonists of the edition are total-black and metallic colors

project | 2013

vintage furnishing placed in a minimalistic context. height plays add value to the spaces

project | 2014

decorative elements take over, among which are mirrors that amplify the space. subentrano elementi decorativi, tra cui specchi che amplificano lo spazio. hand-painted canvases brighten the seats

project | 2015

the setup is played on the contrast generated by black and white, by the industrial and the shabby styles

project | 2016

essentiality dominates the locations of the show and enhances the collections

project | 2017

unique spaces that alternate between strong nuances and natural colors

project | 2018

the color white and optical lighting are back. in ethereal and timeless spaces

project | 2019

a black floor is in contrast with white walls and ceilings, American lights give depth to the spaces.

project | 2020

modern furnishing components and mirror tables accompany an essential space

project | 2021

geometric shapes and heights create eye-catching effects, harmonious with new and innovative installations

project | 2022

the secret rooms are back: exclusive exhibition spaces defined by a great sense for design and with an original touch

project | 2023

a sleek and elegant tunnel un tunnel brings the visitor to a pristine and minimalistic hub

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